At the turn of the century, traditional heavy metal forged in the
crucibles of Europe had been muscled out of the popular consciousness by
an ostentatiously presented, teenaged television marketing campaign
known to the world at large as nu-metal. Long haired metalheads hurled
their steel cups of mead at speakers in frustration, wondering if the
creative wells of their beloved genre had finally run dry, fingers
crossed in a futile/paranoid gesture hoping bulldozers from MTV
(sponsored by Monster Energy Drink) wouldn’t raze Wacken Open Air three
to four years hence (Or have a band like say, Korn headline, which would
more or less have had the same effect.)
But locked away in Gothenburg’s premier metal recording house Studio Fredman, the phoenix like Arch Enemy
was preparing a new album with a new, Germanic recruit standing before
the microphone. Oft-criticized vocalist Johan Liiva had departed. Angela
Gossow entered. She turned how we had always thought about metal on its
head.
Find out how she did it at the AU Review.
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